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From Madrigal to OperaMonteverdi's Staging of the Self$
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Mauro Calcagno

Print publication date: 2012

Print ISBN-13: 9780520267688

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520267688.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 19 October 2019

Liminality, Deixis, Subjectivity

Liminality, Deixis, Subjectivity

Chapter:
(p.32) 2 Liminality, Deixis, Subjectivity
Source:
From Madrigal to Opera
Author(s):

Mauro Calcagno

Publisher:
University of California Press
DOI:10.1525/california/9780520267688.003.0003

Through an analysis of the prologue of Monteverdi's Orfeo, chapter 2 introduces the basic terminology about subjectivity used in the rest of the book, including concepts such as deixis, dialogic self, and subject-effects.

Keywords:   deixis, self, subjectivity, prologues, Claudio Monteverdi, Claudio Monteverdi-Orfeo

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