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From Madrigal to OperaMonteverdi's Staging of the Self$
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Mauro Calcagno

Print publication date: 2012

Print ISBN-13: 9780520267688

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520267688.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 17 October 2019

Performing the Dialogic Self

Performing the Dialogic Self

Chapter:
(p.57) 3 Performing the Dialogic Self
Source:
From Madrigal to Opera
Author(s):

Mauro Calcagno

Publisher:
University of California Press
DOI:10.1525/california/9780520267688.003.0004

In discussing a 1998 production of Orfeo directed by Luca Ronconi in Florence, chapter 3 provides a first application of the concepts of deixis, dialogic self, and subject-effects in the life of performance.

Keywords:   opera, performance, staging, Claudio Monteverdi, Claudio Monteverdi-Orfeo, subjectivity

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