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From Madrigal to OperaMonteverdi's Staging of the Self$
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Mauro Calcagno

Print publication date: 2012

Print ISBN-13: 9780520267688

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520267688.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 September 2019

In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal

In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal

Chapter:
(p.101) 5 In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal
Source:
From Madrigal to Opera
Author(s):

Mauro Calcagno

Publisher:
University of California Press
DOI:10.1525/california/9780520267688.003.0006

Chapter 5 investigates the musical side of Petrarchism in the madrigal before Monteverdi, from the microlevel of verbal resonances and emphasis on specific words to the macrotextual level of modeling print collections of poems and madrigals on the Canzoniere. This range of possibilities is explored from the point of view of creators, performers, and listeners, in works by Verdelot, Arcadelt, Willaert, Rore, Wert, and Marenzio, focusing on these composers' appropriation of the voice of poets, as well as on the listeners' perception of it. Through madrigal books, musicians created stories that effectively met the expectations of listeners, who stored in their memories narrative patterns absorbed by reading poetry collections. These composers calibrated the relationships between narrator and characters in a variety of ways, assembling texts from disparate literary sources and modifying them to suit their own purposes.

Keywords:   madrigal, Petrarchism, Pietro Bembo, Italian studies, Jacques Arcadelt, Adrian Willaert, Cipriano de Rore, Giacques de Wert, Luca Marenzio, subjectivity, self

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