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From Madrigal to OperaMonteverdi's Staging of the Self$
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Mauro Calcagno

Print publication date: 2012

Print ISBN-13: 9780520267688

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520267688.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 21 September 2021

Epilogue: Subjectivity, Theatricality, Multimediality

Epilogue: Subjectivity, Theatricality, Multimediality

Chapter:
(p.263) Epilogue: Subjectivity, Theatricality, Multimediality
Source:
From Madrigal to Opera
Author(s):

Mauro Calcagno

Publisher:
University of California Press
DOI:10.1525/california/9780520267688.003.0009

The issue of performative subjectivity for madrigal and opera is viewed as one of theatricality, involving agency, spectatorship, and multimediality, in connection to two films incorporating the music of Monteverdi.

Keywords:   performance studies, media studies

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