Show Summary Details
- Title Pages
- [UNTITLED]
- Dedication
- Illustrations
- Acknowledgments
- Introduction
-
Part One La Musica and Orfeo -
1 Text, Context, Performance -
2 Liminality, Deixis, Subjectivity -
3 Performing the Dialogic Self -
4 From Petrarch to Petrarchism: A Rhetoric of Voice and Address -
5 In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal -
6 Monteverdi, Narrator -
7 The Possibility of Opera - Epilogue: Subjectivity, Theatricality, Multimediality
-
Appendix 1 Tables of Contents of the Madrigal Books -
Appendix 2 Monteverdi, Combattimento di Tancredi e Clorinda - Index
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- Title Pages
- [UNTITLED]
- Dedication
- Illustrations
- Acknowledgments
- Introduction
-
Part One La Musica and Orfeo -
1 Text, Context, Performance -
2 Liminality, Deixis, Subjectivity -
3 Performing the Dialogic Self -
4 From Petrarch to Petrarchism: A Rhetoric of Voice and Address -
5 In Search of Voice: Musical Petrarchism in the Sixteenth-Century Madrigal -
6 Monteverdi, Narrator -
7 The Possibility of Opera - Epilogue: Subjectivity, Theatricality, Multimediality
-
Appendix 1 Tables of Contents of the Madrigal Books -
Appendix 2 Monteverdi, Combattimento di Tancredi e Clorinda - Index