- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]
Working with Duke
Working with Duke
- Chapter:
- 30. Working with Duke
- Source:
- Clark
- Author(s):
Gwen Terry
- Publisher:
- University of California Press
This chapter describes Clark Terry's association with Duke Ellington's band and his experience of working with Duke. Duke made Clark understand the importance of listening to the totality of music. Clark also came to understand the importance of each section to the total piece, especially one's own section, and the contribution of one's own section, contrapuntally to the other sections. Dreams of having his own big band stayed in Clark's mind. During the eight years he spent with Duke, they recorded several concerts. It was in the August of 1954 that Clark got a chance to be a part of Dinah Washington's record date, the album of which, came out as Dinah Jams. As Clark describes, Duke seemed pleased with him most of the time. But the most difficult task that he had to master was learning what Duke's limits of tolerance were with him, where one was not supposed to cross the “limit line”.
Keywords: Clark Terry, Duke Ellington, totality, Dinah Jams, limit line
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- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]