- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]
Duke's Team
Duke's Team
- Chapter:
- 31. Duke's Team
- Source:
- Clark
- Author(s):
Gwen Terry
- Publisher:
- University of California Press
As Clark describes, Duke Ellington had an outstanding roster of professionals in his orchestra team. While recruiting musicians, Duke kept a certain criteria in his mind, the signature sound of each individual; how they blended; and how they interpreted his arrangements. It was like a choir of masterful voices. He wrote something unique for each member of the ensemble. He knew exactly what everybody could do and what they couldn't do and used characteristic sounds. He gave freedom to everyone to express themselves and each member of the band got a chance to play solos. He encouraged individual freedom and compiled ideas. He used things that were seemingly insignificant and made beautiful tunes. He got results that were not just out of his head, but also what was in his musicians' heads. Duke was a true artist.
Keywords: Duke Ellington, orchestra, choir, masterful voices, band, true artist
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- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]