- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]
Duke's Management Arts
Duke's Management Arts
- Chapter:
- 32. Duke's Management Arts
- Source:
- Clark
- Author(s):
Gwen Terry
- Publisher:
- University of California Press
In this chapter, Clark Terry describes the ways in which Duke Ellington managed his orchestra band and its music. He could persuade anyone jazzwise, like he persuaded Clark to play Buddy Bolden. Duke had full command of the English language, and his diction was flawless. Duke demanded the best from each musician in his band. He had a compelling tonality in his voice that would make it difficult to doubt whatever he was talking about. He had to deal with the high strung, the low strung, and the strung out. He did all of it with finesse. He knew how to make each man feel important and appreciated, which garnered absolute devotion. He knew each musician as well as he knew his own music, what motivated them, what their problems were, how to encourage them and that was the gist of Duke's managerial position.
Keywords: Clark Terry, Duke Ellington, managerial position, musician, band
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- Title Pages
- [UNTITLED]
- [UNTITLED]
- [UNTITLED]
- Dedication
- Preface
- Foreword
- Introduction
-
1. Big Dreams -
2. First Instruments -
3. Kicked Out -
4. The Vashon High Swingsters -
5. First Road Gig -
6. Nigga -
7. Ida Cox -
8. Stranded -
9. Lincoln Inn -
10. On the Road Again -
11. Tennis Shoe Pimp -
12. Jailed -
13. Len Bowden -
14. Navy Days -
15. Gray Clouds -
16. The Big Apple -
17. George Hudson -
18. The Club Plantation -
19. Galloping Dominoes -
20. Tempting Offers -
21. Lionel Hampton -
22. Road Lessons -
23. Pauline -
24. Charlie Barnet -
25. Count Basie -
26. Big Debt -
27. Duke Ellington -
28. Leaving Basie -
29. The University of Ellingtonia -
30. Working with Duke -
31. Duke's Team -
32. Duke's Management Arts -
33. Miles and Bird -
34. Billy Strayhorn -
35. Endurances -
36. Flugelhorn -
37. Europe -
38. Norman Granz -
39. Norman's Battles -
40. Q -
41. NBC -
42. Jim and Andy's -
43. Johnny and Ed -
44. Mumbles -
45. First House -
46. Big Bad Band -
47. Carnegie Hall -
48. Etoile -
49. Jazz Education Arena -
50. Those NBC Years -
51. Storms -
52. Black Clouds -
53. Keep on Keepin' On -
54. New Love -
55. Whirlwinds -
56. Through the Storm -
57. Second Chance -
58. The Biggest Surprise - Acknowledgments
- Honors and Awards
- Original Compositions
- Selected Discography
- Index
- [UNTITLED]