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Music and Politics in San FranciscoFrom the 1906 Quake to the Second World War$
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Leta Miller

Print publication date: 2011

Print ISBN-13: 9780520268913

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520268913.001.0001

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The Paris of the West

The Paris of the West

San Francisco at the Turn of the Century

Chapter:
(p.1) 1 The Paris of the West
Source:
Music and Politics in San Francisco
Author(s):

Leta E. Miller

Publisher:
University of California Press
DOI:10.1525/california/9780520268913.003.0001

By the 1870s, San Francisco had become known as the Paris of the West—a must-visit destination for tourists, mariners, sightseers, and fortune seekers, a city of mystery and intrigue, a gathering place for the world's adventurers. The city had grown up haphazardly—with little or no urban planning—as the locus of the gold rush, and it boasted a fiercely independent population of adventurers hailing from Europe, Asia, and the eastern United States. These immigrants brought with them not only their material possessions but also their musical cultures, fostering a fascinating, if at times unrefined, sonic diversity. At 5:12 a.m. on Wednesday, April 18, 1906, San Francisco residents were shaken by a massive earthquake that lasted for nearly a minute. The earthquake marked a watershed in San Francisco's political, social, and cultural history. 4.7 square miles of the city center was in ruins, the town's utilities were disabled, its financial institutions dysfunctional, its political infrastructure discredited by graft, its cultural institutions deprived of their homes, and its inhabitants scattered to Oakland, to Marin, to the peninsula, and to refugee camps in Golden Gate Park and the Presidio. San Francisco was in sorry shape indeed.

Keywords:   San Francisco, musical cultures, immigrants, earthquake

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