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Music and Politics in San FranciscoFrom the 1906 Quake to the Second World War$
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Leta Miller

Print publication date: 2011

Print ISBN-13: 9780520268913

Published to California Scholarship Online: May 2012

DOI: 10.1525/california/9780520268913.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 04 August 2021

Welcoming the World

Welcoming the World

San Francisco's Fairs of 1915 and 1939–1940

Chapter:
(p.247) 10 Welcoming the World
Source:
Music and Politics in San Francisco
Author(s):

Leta E. Miller

Publisher:
University of California Press
DOI:10.1525/california/9780520268913.003.0010

In the first half of the twentieth century, San Francisco hosted two major world fairs: in 1915 and in 1939–40. A comparison of musical programming for these two enormous undertakings highlights changes in artistic taste and expression prompted, in part, by a new social awareness and an increased attention to diversity. Both fairs marked the end of difficult periods in city's history while nominally celebrating massive engineering feats. The Panama–Pacific International Exposition—February 20 to December 4, 1915—came at the end of the city's recovery from its most devastating local catastrophe, the quake and fires of 1906; yet officially it commemorated the opening of the Panama Canal. The Golden Gate International Exposition, which ran from February 18 to October 29, 1939, was widely viewed as a partial cure for the economic problems of the Depression; yet officially it heralded the completion of the Golden Gate and San Francisco–Oakland Bay Bridges.

Keywords:   world fairs, Panama–Pacific International Exposition, Golden Gate International Exposition, Panama Canal, Golden Gate Bridge, San Francisco–Oakland Bay Bridge

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