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Blowin’ the Blues AwayPerformance and Meaning on the New York Jazz Scene$
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Travis Jackson

Print publication date: 2012

Print ISBN-13: 9780520270442

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520270442.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 19 October 2019

Jazz and Spatiality: The Development of Jazz Scenes

Jazz and Spatiality: The Development of Jazz Scenes

Chapter:
(p.51) Chapter 3 Jazz and Spatiality: The Development of Jazz Scenes
Source:
Blowin’ the Blues Away
Author(s):

Travis A. Jackson

Publisher:
University of California Press
DOI:10.1525/california/9780520270442.003.0003

This chapter suggests that consideration of space and spatiality enhances a jazz historical narrative which generally renders geography as inert and subservient to time. In particular, those two concepts highlight the impact that attempts to regulate the use of space in cities has had on jazz historically—determining, among other things, where jazz musicians can perform, how often, and for whom. Zoning laws, uneven spatial development, and a shift from an industrial to a service economy over the last several decades have been just as crucial as developments in musical style for the making and interpreting of jazz. The chapter argues that jazz performance is inseparable from a loose and shifting assemblage of agents and institutions—the jazz scene—which facilitates (and inhibits) the public presentation of the music and musicians in live performance and on recordings.

Keywords:   space, spatiality, jazz musicians, music interpretation, jazz performance, musical performance

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