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Blowin’ the Blues AwayPerformance and Meaning on the New York Jazz Scene$
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Travis Jackson

Print publication date: 2012

Print ISBN-13: 9780520270442

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520270442.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 September 2019

In the Studio and on Stage

In the Studio and on Stage

Chapter:
(p.155) Chapter 7 In the Studio and on Stage
Source:
Blowin’ the Blues Away
Author(s):

Travis A. Jackson

Publisher:
University of California Press
DOI:10.1525/california/9780520270442.003.0007

The framings discussed in the previous chapters foreground the importance of attending to the details of a specific musical event via its nesting in successive frames—a scene, a blues aesthetic, ritual, space, time, tune, and form. They emphasize, as well, relating that single event to others and noting how each event is constituted by references and responses to others displaced in time and space. Building on those ideas, this chapter focuses on the ways that the work of different actors and institutions shapes musical events in recording studios or clubs. It analyzes three studio recordings and three live performances to illustrate the efficacy of seeing jazz through the lenses of a blues aesthetic and ritualization.

Keywords:   musical events, recording studios, clubs, live performance, jazz, blues aesthetic, ritualization

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