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Luigi Russolo, FuturistNoise, Visual Arts, and the Occult$
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Luciano Chessa

Print publication date: 2012

Print ISBN-13: 9780520270633

Published to California Scholarship Online: September 2012

DOI: 10.1525/california/9780520270633.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 29 June 2022

Controversial Leonardo

Controversial Leonardo

Chapter:
(p.197) Chapter 10 Controversial Leonardo
Source:
Luigi Russolo, Futurist
Author(s):

Luciano Chessa

Publisher:
University of California Press
DOI:10.1525/california/9780520270633.003.0011

Veneration of Leonardo da Vinci among the futurists had deep roots in the prehistory of the movement, that is, in the Movimento Fiorentino, a group of intellectuals active in Florence at the beginning of the twentieth century whose goal was to reawaken Italian cultural life from its gilded sleep. Russolo mentioned Leonardo often, but he never openly acknowledged his debt to him. Subconscious denial serves well to explain Russolo's silence on the subject of his Leonardine borrowings, but his silence can be read in yet another way. Knowing that he felt protective about the insides of his intonarumori, we can just as reasonably assume that Russolo chose to avoid discussing specific mechanical principles so as not to trivialize the ultimate creative aims of his art of noises. And since Russolo gave a specific meaning to the word creativity, these aims may have been for him, at their core, ineffable.

Keywords:   Luigi Russolo, Leonardo da Vinci, futurists, Movimento Fiorentino, creativity

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