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Assimilating SeoulJapanese Rule and the Politics of Public Space in Colonial Korea, 1910–1945$
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Todd A. Henry

Print publication date: 2014

Print ISBN-13: 9780520276550

Published to California Scholarship Online: September 2014

DOI: 10.1525/california/9780520276550.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 15 October 2019

Material Assimilation

Material Assimilation

Colonial Expositions on the Kyŏngbok Palace Grounds

Chapter:
(p.92) Chapter 3 Material Assimilation
Source:
Assimilating Seoul
Author(s):

Todd A. Henry

Publisher:
University of California Press
DOI:10.1525/california/9780520276550.003.0004

This chapter demonstrates how government officials and their business associates used Kyŏngbok Palace to promote the uneven development of the Korean economy. At the 1915 exhibition, designers sought to advance industry through Western architecture and machinery, powerful symbols of progress that they carefully juxtaposed to the anachronistic palace. Although some educated Koreans successfully decoded and cautiously embraced this modernizing vision, nonelites tended to relate the newfangled tools of industry to the playful world of recreation. The 1931 exposition even further subsumed the peninsula into a multiethnic display of coprosperity, symbolized by an ersatz form of palace architecture. As nationalist critics charged, however, the “Korean style” only represented increasingly hegemonic forms of colonial domination, exemplified by the impecunious plight of their downtrodden brethren.

Keywords:   expositions, spectacle, palace, tourism, recreation, market

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