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Reclaiming Late-Romantic MusicSinging Devils and Distant Sounds$
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Peter Franklin

Print publication date: 2014

Print ISBN-13: 9780520280397

Published to California Scholarship Online: September 2014

DOI: 10.1525/california/9780520280397.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 20 October 2019

Introduction

Introduction

Chapter:
(p.xi) Introduction
Source:
Reclaiming Late-Romantic Music
Author(s):

Peter Franklin

Publisher:
University of California Press
DOI:10.1525/california/9780520280397.003.0007

The experience of a late-romantic symphony concert is evoked as emotionally engaging in a way that offers profound and intimate experiences that may be mocked in public discourse as “self-indulgent” or a mode of high-class cultural practice allied to forms of elitism. Definitions and analyses of “late romanticism” (not least as a form of “decadence”) are considered and the book's course set out as one that approaches the politics of late-romantic musical experience as a matter of being beguiled by “singing devils” or inspired by subjective experiences more participatory and self-aware than merely passive in character.

Keywords:   symphony concert, cultural practice, elitism, politics, subjective experiences

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