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Rednecks, Queers, and Country Music$
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Nadine Hubbs

Print publication date: 2014

Print ISBN-13: 9780520280656

Published to California Scholarship Online: September 2014

DOI: 10.1525/california/9780520280656.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 22 September 2019

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Rednecks, Queers, and Country Music
Author(s):

Nadine Hubbs

Publisher:
University of California Press
DOI:10.1525/california/9780520280656.003.0001

This book contextualizes the declaration “anything but country” and challenges both the conventional wisdom that renders the provincial white working class America's perpetual bigot class and the presentism—the static framing and historical forgetting—on which it depends. I examine working-class cultural repertoires, with particular focus on gender and sexuality, from a dual perspective drawing on Bourdieusian empirical research and on historical and critical analysis of American country music. Through these inquiries, I historicize the contemporary construction of the white working class as severe and intolerant in realms of gender and sexuality. I argue that the working-class homophobe is a construct with a specific history, and I chart its rise from the 1970s to the present.

Keywords:   anything but country, conventional wisdom, bigot class, intolerant, provincial, Bourdieu, history, 1970s, American

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