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Into the Twilight of Sanskrit Court PoetryThe Sena Salon of Bengal and Beyond$
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Jesse Ross Knutson

Print publication date: 2014

Print ISBN-13: 9780520282056

Published to California Scholarship Online: September 2014

DOI: 10.1525/california/9780520282056.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 21 October 2019

Poetic Antigravity

Poetic Antigravity

Govardhana's āryāsaptaśatī

Chapter:
(p.47) two Poetic Antigravity
Source:
Into the Twilight of Sanskrit Court Poetry
Author(s):

Jesse Ross Knutson

Publisher:
University of California Press
DOI:10.1525/california/9780520282056.003.0003

Poetry at the Sena court was both similar to and different from—and both continuous and discontinuous with—earlier modes of literary practice. Govardhana—perhaps more than any other poet of this salon—displays discontinuity in the greatest relief and also crafts a new metapoetic frame for it. The chapter details the relationship between the consolidation of literary registers and the poem's realist potentials. Through a study of the poem's realist vignettes, this chapter summarizes the value judgments that were inseparable from the āryaāsaptasśatiī 's novel poetic. The vignettes span several different spheres of social life: thick description of the aristocratic household, contradictions between country and city, and the ways of wealth and social privilege. Finally, the chapter looks at how realistically the poet comments on himself: Govardhana's evocative metapoetric discourses on the makings of a new literary sensibility.

Keywords:   Govardhana, āryaāsaptasśatiī, aristocratic, household, country, city, metapoetic, vulgarity, obscenity, self commentary

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