Introduction
Introduction
The introduction lays out the structure of Hymns for the Fallen in broad strokes, noting the chronological scope of the study (35 war films made after the close of the Vietnam War), the subgenre (prestige combat films) and the book’s larger approach to film sound and film music. The three elements of the soundtrack—dialogue, sound effects, and music—and their relationship analytically within the book are also introduced. The book’s larger analogy between serious war films and war memorials, such as the Vietnam Veterans Memorial, is drawn by comparison of scenes from Hamburger Hill (1987) and Saving Private Ryan (1998). The formative impact of the Vietnam War on Hollywood combat film production is also noted. The figures of the American soldier and veteran are presented as central both to combat film narratives and to the target audiences for these films.
Keywords: Vietnam War, Vietnam Veterans Memorial, Saving Private Ryan, American soldiers, American veterans, film sound, film music, soundtrack, war films, combat films, war memorials
California Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
