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Hymns for the FallenCombat Movie Music and Sound after Vietnam$
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Todd Decker

Print publication date: 2017

Print ISBN-13: 9780520282322

Published to California Scholarship Online: September 2017

DOI: 10.1525/california/9780520282322.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 26 February 2020

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Hymns for the Fallen
Author(s):

Todd Decker

Publisher:
University of California Press
DOI:10.1525/california/9780520282322.003.0001

The introduction lays out the structure of Hymns for the Fallen in broad strokes, noting the chronological scope of the study (35 war films made after the close of the Vietnam War), the subgenre (prestige combat films) and the book’s larger approach to film sound and film music. The three elements of the soundtrack—dialogue, sound effects, and music—and their relationship analytically within the book are also introduced. The book’s larger analogy between serious war films and war memorials, such as the Vietnam Veterans Memorial, is drawn by comparison of scenes from Hamburger Hill (1987) and Saving Private Ryan (1998). The formative impact of the Vietnam War on Hollywood combat film production is also noted. The figures of the American soldier and veteran are presented as central both to combat film narratives and to the target audiences for these films.

Keywords:   Vietnam War, Vietnam Veterans Memorial, Saving Private Ryan, American soldiers, American veterans, film sound, film music, soundtrack, war films, combat films, war memorials

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