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Music in America's Cold War Diplomacy$
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Danielle Fosler-Lussier

Print publication date: 2015

Print ISBN-13: 9780520284135

Published to California Scholarship Online: September 2015

DOI: 10.1525/california/9780520284135.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 02 August 2021

Jazz in the Cultural Presentations Program

Jazz in the Cultural Presentations Program

Chapter:
(p.77) 3 Jazz in the Cultural Presentations Program
Source:
Music in America's Cold War Diplomacy
Author(s):

Danielle Fosler-Lussier

Publisher:
University of California Press
DOI:10.1525/california/9780520284135.003.0003

African American jazz musicians participated eagerly in the State Department’s Cultural Presentations program because they wanted to make their music known worldwide. These musicians willingly adopted the government’s use of jazz as a symbol of freedom and democracy. In the Civil Rights era, the State Department found jazz useful as a practical demonstration of progress toward racial equality. It showed audiences African Americans’ affluence and musicianship, as well as their positive working relationships with their white colleagues. The use of jazz abroad also increased public acceptance of the music within the United States.

Keywords:   jazz, freedom, democracy, African American, race, Civil Rights, State Department, acceptance

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