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Animation, Plasticity, and Music in Italy, 1770-1830$
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Ellen Lockhart

Print publication date: 2017

Print ISBN-13: 9780520284432

Published to California Scholarship Online: May 2018

DOI: 10.1525/california/9780520284432.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 17 September 2019

Conclusion

Conclusion

Chapter:
(p.151) Conclusion
Source:
Animation, Plasticity, and Music in Italy, 1770-1830
Author(s):

Ellen Lockhart

Publisher:
University of California Press
DOI:10.1525/california/9780520284432.003.0007

The conclusion summarizes some of the key findings of the book, arguing that the projects described here attest to the fact that the Pygmalion myth was a foundational theme for modern aesthetics, offering, as it did, a means of thinking about the way that the perceiving human related to the art object and about what the object, in return, did to its perceiver. It argues that while this historical moment has been understood to see the emergence of autonomy for the individual fine arts, the texts examined in this book have confirmed that, even at such moments of supposed emancipation, the materials of art acted together, partaking of one another’s essences through analogy and cooperation.

Keywords:   Pygmalion, opera, aesthetics

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