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Foundational FilmsEarly Cinema and Modernity in Brazil$
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Maite Conde

Print publication date: 2018

Print ISBN-13: 9780520290983

Published to California Scholarship Online: May 2019

DOI: 10.1525/california/9780520290983.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 18 October 2019

Beyond Hollywood

Beyond Hollywood

Reading Slave Relations in Humberto Mauro’s Lost Treasure (1927)

Chapter:
(p.113) 5 Beyond Hollywood
Source:
Foundational Films
Author(s):

Maite Conde

Publisher:
University of California Press
DOI:10.1525/california/9780520290983.003.0006

This chapter examines Brazilian director Humberto Mauro’s 1927 film Thesouro Perdido, which was influenced the North American film Tol'able David, directed by Henry King in 1921. The chapter examines discussions regarding mimicry, bringing them to bear specifically on early Brazilian cinema and Brazilian film theory and what has been dismissed as its imitative relationship to Hollywood movies. Analyzing the structure and aesthetics of Mauro’s film, the chapter discusses the differences between it and its Hollywood template, and it locates this difference in the country’s material reality, that is, the remnants of traditional patriarchal structures in Brazil and their roots in slave labor.

Keywords:   Thesouro Perdido, Humberto Mauro, Tol'able David, slavery, mimicry

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