Limousines and Legacies
Limousines and Legacies
The epilogue examines On the Prowl, the 1989 film directed by veteran performer Jamie Gillis. Ushering in the “gonzo” genre, which de-valued narrative and familiar aesthetics for a raw and spontaneous set of practices and conventions, the film represents where pornography would go in the era after the events of this book—as well as the constructed nature of all pornography, regardless of technology or technique.
Keywords: Pornography, Home Video, Film History, Film and Media Studies, Cultural Studies, Paul Thomas Anderson, Jamie Gillis, Gonzo Pornography
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