Chocolate Cities is built on a simple premise: our current maps of black life are wrong. As Malcolm X made clear in Detroit over a half century ago, the geography of the black American experience is best understood as existing within and across varying versions of “the South”—regional areas with distinct yet overlapping and similar patterns of racism, white domination, and oppression alongside place-inspired black strivings, customs, and aspirations for a better and more equal society. Chocolate Cities offers a new geography of the United States based on the lives, experiences, and histories o ... More

Chocolate Cities is built on a simple premise: our current maps of black life are wrong. As Malcolm X made clear in Detroit over a half century ago, the geography of the black American experience is best understood as existing within and across varying versions of “the South”—regional areas with distinct yet overlapping and similar patterns of racism, white domination, and oppression alongside place-inspired black strivings, customs, and aspirations for a better and more equal society. Chocolate Cities offers a new geography of the United States based on the lives, experiences, and histories of black Americans called “the Black Map.” Using both cultural sources (film, music, fiction, and plays) and more traditional academic data—U.S. decennial census data (1900–2010); oral histories; multiyear ethnography; photographs; national, state, and local health and wealth data and reports; and archives—this book maps and analyzes black life since Emancipation in America’s “chocolate cities”—cities, towns, neighborhoods, streets, and communities wherein black life and culture are concentrated, maintained, created, and defended.