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Tide Was Always HighThe Music of Latin America in Los Angeles$
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Josh Kun

Print publication date: 2017

Print ISBN-13: 9780520294394

Published to California Scholarship Online: May 2018

DOI: 10.1525/california/9780520294394.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 14 June 2021

Walt Disney’s Saludos Amigos

Walt Disney’s Saludos Amigos

Hollywood and the Propaganda of Authenticity

Chapter:
(p.105) 4 Walt Disney’s Saludos Amigos
Source:
Tide Was Always High
Author(s):

Carol A. Hess

Publisher:
University of California Press
DOI:10.1525/california/9780520294394.003.0005

This chapter explores the music of Walt Disney's animated feature Saludos Amigos (1942). It first surveys the principal trends in music and Pan Americanism during the Good Neighbor period. It then analyzes the music, folkloric and otherwise, and relates it to the film's visual and narrative elements, connecting it to broader themes in Pan Americanist discourse. In addition, it reflects on authenticity in terms of Pan Americanism, that is, a yearning for a “genuine culture of the Americas.” It is argued that, whatever authenticity Saludos Amigos proffered through its music, the film as a whole served mainly as a tool of strictly one-sided propaganda in favor of the United States and the war effort. Authenticity, always an elastic term, becomes even more so when paired with the tools of propaganda, especially as fashioned by Hollywood.

Keywords:   Walt Disney, animated films, Pan Americanism, propaganda, authenticity, music, war effort

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