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Mock ClassicismLatin American Film Comedy, 1930-1960$
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Nilo Couret

Print publication date: 2018

Print ISBN-13: 9780520296848

Published to California Scholarship Online: September 2018

DOI: 10.1525/california/9780520296848.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 23 October 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Mock Classicism
Author(s):

Nilo Couret

Publisher:
University of California Press
DOI:10.1525/california/9780520296848.003.0001

The introduction is loosely structured in three parts addressing questions of genre, geography, and period. It situates the book within comparative literature debates on world literature in order to defend a genre-based paradigm (in opposition to nation-based models) that produces a diachronic made all the more significant by the particular reception of comedy; debates in Latin American studies that cast this period exclusively in terms of cultural nationalism, that is, as complicit with nation-state consolidation; and, finally, debates in film studies on vernacular modernism and the intersections of cinema and modernity. The introduction explains how studying the transition to sound and the emergence of film comedy provides an endogenous and nonsynchronous rejoinder to the cosmopolitanism of these debates, a mock classicism reliant on an intertextual horizon that produces a semblance of continuity between screen and theater.

Keywords:   vernacular modernism, cosmopolitanism, world literature, genre-based paradigm, cultural nationalism, modernity

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