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La Traviata AffairOpera in the Age of Apartheid$
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Hilde Roos

Print publication date: 2018

Print ISBN-13: 9780520299887

Published to California Scholarship Online: May 2019

DOI: 10.1525/california/9780520299887.001.0001

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PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). (c) Copyright University of California Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CALSO for personal use.date: 02 August 2021

We Live to Serve: A Demimonde before Art

We Live to Serve: A Demimonde before Art

1933–1954

Chapter:
(p.18) One We Live to Serve: A Demimonde before Art
Source:
La Traviata Affair
Author(s):

Hilde Roos

Publisher:
University of California Press
DOI:10.1525/california/9780520299887.003.0002

Chapter 1 deals with the twenty-five years that preceded Eoan’s first performance of Verdi’s La Traviata, in 1956, a period during which the group consolidated its existence as a cultural and welfare organization in District Six and other colored residential areas in the Cape Peninsula. This period saw the drafting of the group’s constitution, which set the tone for how management, operational policy, and the group’s stance on politics were to influence opera production and human resources within the group in later years. Special attention is given to the trajectory along which the Eoan Group choir developed into an amateur opera company.

Keywords:   District Six, cultural organization, Eoan, colored politics, Helen Southern-Holt

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